THE IMPACT OF DRAMATICS ON ENGLISH LANGUAGE LEARNING

 The Impact of Dramatics on English Language Learning

 

Abstract: English language learning is prime in every society as it is the most frequently used language world- wide. Acquisition of second language is a perilous task for most of the second language learners, and tutors thus seek new tools and teaching methods to aid the learners to reach proficiency in the language learning. The article aims at the use of drama in English Language Teaching a.k.a ELT. Dramatics involves the use of role play, simulation, scripted plays, soliloquies, mime etc. By employing such activities in the classroom, students can involve in the learning process and thereby contributing to the better understanding of the language, literature and culture of the target group. Dramatics is thus a combination of entertainment and education (edutainment).

Keywords: Drama, dramatics, English language learning, communication skills, target language.

Introduction

English is an international language and the additional associate official language of India. English is being taught as the second language in schools and colleges. Most of the students thus face a problem with the different elements of the language as they are not exposed to the language like the mother tongue. Teachers are on a constant quest for variation to their repertoire in order to maintain the students’ interest in the classroom. There is a famous quote by Benjamin Franklin that goes by; “Tell me and I forget. Teach me and I remember. Involve me and I learn”. Students’ involvement in learning process has become the main aim of modern approaches that focus on student centered class rather than teacher centered class (Zahid et. al., 2019). Teachers thus adopt different techniques for the same. Language games, Dramatics (role play, simulation, scripted plays etc.), use of audio- visual aids are some among them. These in turn develops a learner centered classroom that leads to the better understanding of the subject.

Drama: Origin and Definitions

There are different genres in English. They are poetry, prose, drama etc. There are different definitions for each of these. Here the article focuses on dramatics. The word drama is derived from the Greek word ‘dran’ which means ‘to act ‘or ‘to do’. It is a fictional representation through dialogue and performance. Drama is not simply the presentation of interesting characters or a matter of preaching interesting ideas; rather, it is the presentation of human beings engaged in action. Drama can be defined as a wide range of oral activities that have an element of creativity present (Hubbard et. al., 1986). In other words, drama is concerned with the world of ‘let’s pretend’; it asks the learner to project himself imaginatively into another situation, outside the classroom, or into the skin and persona of another person (Holden, 1982). The value of these activities lies not in what they lead up to but in what they are, in what they bring out right now (Maley et, al., 1984). This comment can be interpreted as meaning that students do their ‘acting’ for language and imaginative activity and not for exhibition. Nevertheless, teachers should not deny their opportunity to act out their scenes to the rest of the class if they so wish, for if rehearsed drama activities are left unperformed, there may be a sense of incompleteness in the class (Davies, 1990).

Drama and Dramatics in Classrooms

Drama is a creative and an active approach to learning. As prospective teachers we must understand the fact that learners learn differently and learning styles comprises of all the three domains viz; cognitive, affective and psychomotor. Hence, drama can be considered as one among the best strategies that can be adopted as it involves a combination of audio (dialogue), visual (performance) and kinesthetic (involves body movement) learning and thus it benefits different learning styles providing a concrete learning experience. In addition, it also paves a path for expressing the creative talents and thereby develop their social, presentation, cognitive and language skills. It improves both verbal and non- verbal mediums of communications. Furthermore; it is built on the Howard Gardner’s concept of multiple intelligence as it involves verbal linguistic, body kinesthetic, interpersonal, intrapersonal and visual- spatial intelligences. Drama provides a pivotal outlet for self -expression leading to holistic development. Drama bridges the gap between dialogues given in the course books and natural usage and also between the classroom and real -life situations by providing insights into how to handle tricky situations. It also strengthens the bond between thought and expression, provides practice of supra -segmentals and also enhances listening skills. The use of drama in the language classroom allows the teacher to present the target language in an active, communicative and conceptualized way (Mattevi, 2005). It also enables teacher to address the LSRW skills. The use of drama thus raises the target language and culture awareness.

            Burke and O’ Sullivan (2002), identified seven reasons to incorporate drama in second language classroom:

1)      Teachers and students can concentrate on pronunciation.

2)      Students are motivated.

3)      Students are relaxed.

4)      Students use language for real purposes.

5)      Risk- taking equals heightened language retention.

6)      Community is created.

7)      Students and teachers can approach sensitive topics.

Drama does things with words. It introduces language as an essential and authentic method of communication. Drama sustains interactions between students with the target language, creating a world of social roles and relations in which the learner is an active participant. Drama focuses on negotiation of meaning. The language that arises is fluent, purposeful and generative because it is embedded in context (Kao et, al., 1998). Drama is both an entertainment and educative genre that helps us to explore the practical as well as the theoretical aspects of language. Keeping students motivated through the whole lesson is an intractable problem. The most important task for a teacher is to activate the students (Heikkinen, 2004). According to constructivism, learning is a result of a personal construction process and the teacher’s task is to create a framework and hence further students’ personal learning processes. Drama provides solutions for the situation accordingly (Savela, 2009). Drama is more like a child- centered approach as teacher only acts as a facilitator or a mentor and the entire responsibility rests with the students.

      When students are assigned to play the parts of characters in a play, they should be asked to decide why their characters are saying each line of dialogue, i.e. what they want at that moment, and what their characters are doing by saying those words. They should describe their actions in terms of verbs. Not only will the student vocabulary increase, but also each entire phase will come to life as the student speaks it as an action, and will more effectively enter the student’s memory for later use in other situations and will be visual experience for other students (Guliyeva, 2011). Drama also facilitates group work and thus they become socially intelligent and thereby can cope up with real life situations. Students learn to use regular speech through drama. They do it either by themselves or with the help of the fellow students. Either, they act according to the linguistic guidelines prescribed by the teacher or may be left free to work matters out. In both cases, there is interaction and reaction taking place and they make use of their personal store of language for meaningful communication. Drama also facilitates in developing social skills and cultural knowledge in an interesting way. Drama is therefore a good source for language learning as it stimulates imagination, develops critical thinking, strengthens learning retention, comprehension, increases empathy, listening skills, exposes learners to culture of the target group, fosters peer respect, group dynamics, improves self confidence and better communication skills.

Conclusion

Drama can be considered as an eclectic approach and it aids in the acquisition of good communication skills. Students also become highly confident to use the language. Being learner centered approach, this is a successful strategy that can be used for teaching of second language, literature and the culture. Simply listening to lectures seem boring and drama is a way to escape those. The students engaging in drama not only learns the language but also how to effectively use it for communication. It helps students to promote comprehension of verbal and non- verbal attributes of the target language. Drama also improves motivation and maturity as it draws upon students the ability to imitate and express themselves by arousing imagination and interest. Language is a skill and is best learned when it is put into practice. Drama is contextual and provides a concrete experience and thereby encourages adaptability, fluency and communicative competence. Teachers also can make use of this to make the classroom activity more colourful, friendly and interesting and thereby they can achieve a realistic and meaningful teaching through which the students can benefits to a great extent.

            

Works Cited

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